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erm
*back*

The Robin Hood Tax is a tiny tax on bankers that would raise billions to tackle poverty and climate change, at home and abroad.By taking an average of 0.05% from speculative banking transactions, hundreds of billions of pounds would be raised every year.That’s easily enough to stop cuts in crucial public services in the UK, and to help fight global poverty and climate change.

Laura Since last night, I've been listening to the new album by Girls, called Album, almost continuously. I like to listen to different types of music, and occasionally, I will get into rhythms where I spend weeks listening to old, comfortable music that I know, and that is 'pleasant.' Album is a nice album, in that it reminds me of what rock sounds like, and why I like it so much. This is a work that, to my ear, makes no pretenses about being groundbreaking, but is just very, very good. It sounds reminiscent of very aesthetically conscious efforts of the late 60s-- in particular, it really evokes The Velvet Underground and Nico to my ear. At times, the songs are simple variations on four bar blues.
The song above, Laura, is by far the poppiest song on the album; the rest of it has a grittier, darker edge to it. Laura makes me think of Sloan. Please give it a listen, and I think you'll want to hear the whole album afterwards. I highly recommend it.
As a child, I loved the zoo. At some point, like most children, I became intensely interested in learning as much as I could about different kinds of animals. This was probably also encouraged by a Canadian school system that was, at the time, very much focussed on educating students on issues around environmentalism. While green issues that have only recently become part the mainstream conversation in the USA, I was fortunate to have grown up with an active awareness of these important issues. Getting back to the point, though, I loved to learn about animals. For a period of a couple of years, I even collected wildlife cards, that my parents graciously funded. Every month I would get 20 new ones in the mail, and I would spend hours reading about them and then try to tell anybody who would listen that pandas weren't bears and about just how slowly sloths ate their food.
In the (partial) spirit of Gaboworld, I am writing this post with no advance roadmap in mind. As a change of pace, there will likely be little to no thematic coherence, but I'm in a mood to ramble. Apologies to Gabo, but I will inevitably still self-censor as I write. Baby steps, I suppose, on the way to complete, unrestrained, stream of consciousness.
Academically and professionally, I have been taught to understand the world as fundamentally stochastic. People often underestimate the amount of randomness that drives nearly every human process, be it physical or social. We make decisions under uncertainty every day, and this is something that most people are intuitively comfortable with. At times, we can convince ourselves that some situation is effectively deterministic, by ignoring a small probability to the contrary. Perhaps most confounding: in situations where our sample consists of only a single observation of the event in question, who is to say?
Recently, I read a new novel by James Levine called The Blue Notebook. The story is told from the perspective of Batuk, a fifteen year old child prostitute living in Bombay. Specifically, the novel is comprised of her notebooks. The narrative technique is very powerful, as it affords the author the opportunity to push traditional topical limits. In the novel, Levine goes further in description and exploration than most would, and creates scenes that he certainly could not through other (particularly visual) media.
Georgia Anne Muldrow is a neo-soul / r&b / hip hop artist from LA . She creates some very cool pieces that are on balance very dense and layered. Many of her songs are short and concentrated, rapidly introducing and exploring a single auditory theme or idea. Vignettes of songs.Person A: “I love the Paris metro.”
NKW: “Paris METRO.”
Person B: “The UN building is one of my favorite places in the city.”
NKW: “Ah yes, the UN building.”
It is a peculiar habit of mine to repeat phrases and words when I hear them spoken to me. Recently, a friend pointed this bizarre habit out to me and thought it was funny. I’ve been vaguely aware of my tendency to do this, but haven’t really thought about where it might come from or what it might mean before. I have some ideas.
At a very basic (and mostly subconscious) level, I think I use this device as a way to fill perceived voids in conversation. When I am with most people, silence makes me uncomfortable, and I think this is a reaction to that discomfort. The action is akin to nervous rambling—another occasional tendency of mine. I think this discomfort stems from some very fundamental and important questions.
Am I connecting with this person?
Am I interesting?
Do I have anything meaningful to contribute to the dialogue?
Are we engaging one another?
…
The irony is that thoughtless repetition of a simple phrase is meaningless, and doesn't constitute any sort of engagement with or connection to the other person. While this is apparent on reflection, I think the tendency comes from a reflexive place rather than a thoughtful one, and is much like a nervous tic. In particular, I think this urge is strong when I am drawn to somebody on an instinctive, primal level that I may not fully grasp. In this case, there is a subconscious desire to justify this pull ex-post-facto on more traditionally 'rational' grounds such as an explicit intellectual connection or a shared interest.
This effort to synthesize meaning is itself probably misguided. Tangible connections to others cannot be fabricated, and even if they can be encouraged, the mindless repetition of a simple phrase certainly doesn't advance this goal. Obliquely, this also brings to mind the notion that we often listen to others with an intention of crafting our response. Instead, we should really try to hear the other person. In this way, accepting silence can enhance conversation.
It takes some fortitutde to acknowledge that one might simply have little to share with somebody on a given topic, and it takes faith to realize that this is OK. Perhaps we ought to simply enjoy being with people, and listening to people. After all, can language even begin to describe the nature of human connection?
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